Thank God STORY + REVIEW
T-Series Movies, Maruti Universal, Soham Rockstar Excitement, Anand Pandit Movement Pictures and Purplish blue Entertainment’s Thank God (UA) is a comedy with a message.
In the Thank God Movie, Ayaan Kapoor (Sidharth Malhotra) lives with his spouse, Ruhi (Rakul Preet Singh), and small girl, Pihu (Kiara Khanna). He is narrow-minded and very relentless. One day, he meets with a car mishap.
Indeed as he is swaying between life and passing, he meets CD (Ajay Devgan) in Thank God movie who interviews him to make him figure it out his botches and goofs. CD interviews Ayaan as if they are portion of a diversion appear, total with judges etc. Ayaan might kick the bucket if he loses the amusement. CD gives him a few life lines moreover. What happens eventually? Does Ayaan kick the bucket or does he stay alive?
Aakash Kaushik and Madhur Sharma have composed the script which is motivated by the Norwegian film, Sorte Kugler. The story is very new but their screenplay is not half as great and clever as it should’ve been. The scenes in Thank God in the dramatization seldom, if ever, bring out uproarious giggling. Yes, a few scenes will be found engaging but not all around.
Since the amusement appear organize is proceeded all through the film, it does get tedious and indeed boring after a few time. The greatest short point, of course, is that the watchers do not discover the procedures entertaining, which is what they should’ve been. The show takes a genuine turn in the moment half.
That parcel is marginally enthusiastic as well. But the feelings do not make up for the bluntness of the screenplay in the to begin with half. Another disadvantage is that the character of Ayaan is built up with each passing scene of the diversion appear or maybe than the journalists building up his character some time recently the amusement appear starts.
The duo’s exchanges are not one or the other entertaining in the comedian scenes nor heart-wrenching in the enthusiastic ones.
Ajay Devgan does well as CD in Thank God movie. Be that as it may, his character is uni-dimensional and, in this manner, there isn’t much variety in his execution as well. Sidharth Malhotra looks nice looking and acts very well as Ayaan Kapoor.
But his comedy is not exceptional. Rakul Preet Singh does a reasonable work as Ruhi Kapoor. Seema Pahwa loans decent bolster as Ayaan’s mother. Kanwaljit Singh clears out a fine check as Ayaan’s father. Urmila Kanetkar has her minutes as Ayaan’s sister.
Thank God cast are Pratik Dixit (as Ayaan’s brother-in-law), Kiara Khanna (as Pihu), Mahesh Balraj (as Yamdoot), Kiku Sharda (as the man talking on the cellphone, in the lift), Gyanendra Tripathi (as the bank burglar), Vikram Kochar (as the police examiner in the bank), Saanand Verma (as the specialist working on Ayaan), Prachi Thakur (as the more youthful form of Ayaan’s sister).
Anjali Schmuck and Rushali Yadav (as the two Apsaras), Sunita Shirole (as the hobo), Sumeet Gulati and Soundarya Sharma (as the to-begin-with planned buyer-couple of Ayaan’s bungalow), Sandeep Kumar and Rupali Yadav (as the moment imminent buyer-couple of Ayaan’s bungalow), Vidhan Sharma (as the moment buyer-couple’s child).
Sanjeev Kumar (as the car proprietor), Heera Sohail (as Ayaan’s secretary), Sanjay Gurbaxani (as the senior specialist), Reyaansh Jaisinghani and Avtar N. Vaishnani (both as youthful Ayaan) and the others loan great support.
Indra Kumar’s course is reasonably pleasant. Whereas he has taken care of the passionate portion of the dramatization with development, he has not been able to bring out much chuckling in the comedian scenes.
Of the tunes, the restored form of the Sri Lankan ‘Manike mage hithe’ tune (composed by Tanishk Bagchi and Chamath Sangeeth) is the best. The other tunes (Rochak Kohli) are so-so. The ancient hit ‘Dil de diya hai’ melody (Anand Raaj Anand) has been intellectuals utilized.
Verses (Manoj Muntashir, Rashmi Virag, Sameer, Dulan ARX and Smooth D) are affirm. The picturisation of the Sri Lankan song’s adaptation (by Ganesh Hegde) on Nora Fatehi is very pleasant. Other melody picturisations (Tushar Kalia and Dilip Mestry) are so-so.
Amar Mohile’s foundation music is reasonable. Aseem Bajaj’s camerawork is decent. Activity and stunt scenes (by R.P. Yadav) are normal. Bhavik M. Dalwadi’s generation planning is okay. Dharmendra Sharma’s altering should’ve been crisper.
On the entirety, Thank God has comedy but it is not entertaining. It will, in this manner, not discover as well numerous takers. Diwali period will, of course, help(Thank God).
Released on 25-10-’22 at Inox (every day 8 appears) and other cinemas of Bombay thru AA Movies. Exposure: great. Opening: so-so. …….Also discharged all over. Considering that it is Diwali, opening was gloomy at a few places and reasonable at others. It was great as it were at a few places.
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