Innocent lies, trivial conflicts and copious confusion led to much mirth in Hrishikesh Mukherjee and Basu Chatterjee’s wise and witty cinema.
As fond its memories are, the world has grown a lot more cynical since and ordinary woes of newlyweds, like the ones in Hrishida‘s Kisi Se Na Kehna or Basuda‘s Hamari Bahu Alka, rarely carry the same impact or naivete.
Director Laxman Utekar attempts to channel the energy of these masters of feel-good in Zara Hatke Zara Bachke and finds more success than his Luka Chuppi, which made a mountain out of a molehill but is better off when carving its own identity.
Although it’s the same old small-town template of joint family scenes in cramped and cluttered homes of buzzing neighbourhoods, it’s almost a relief to see actors other than usual suspects — Seema Pahwa, Pankaj Tripathi or Sheeba Chaddha — dwelling inside.
It’s also set in Indore, which means there will be at least one mention of pohe-jalebi.
Nevertheless, Zara Hatke Zara Bachke spares us the mandatory meet-cute and merry marriage to start on the note of a second anniversary celebration that tells us everything we need to know about Kapil Dubey (Vicky Kaushal) and Saumya Chawla Dubey’s (Sara Ali Khan) cooped up existence.
He’s a penny-pinching yoga instructor, she’s a class-conscious school teacher — desperately craving privacy in their modern-day Piya Ka Ghar setup, chock full in shuddh Brahmin values that throws a fit at the sight of non-eggless cake and their Punjabi bahu‘s protests yet only too happy to accommodate Kapil’s acrimonious aunt (Kanupriya Pandit), speculative uncle (Neeraj Sood), a prying nephew, his dull mom (Anubha Fatehpuria) and bored daddy (Akash Khurana).
Add to this familial cacophony is Saumya’s whisky-guzzling father (Rakesh Bedi) and perennially gasping mother (Sushmita Mukherjee), Kapil’s Muslim neighbour harbouring a childhood crush, Saumya’s creepy co-worker hitting on her, their loud lawyer buddy (Himanshu Kohli), the poor disgruntled judge whose ears he screams into, Inaamulhaq’s resourceful sarkari sepoy by day and blingy broker by night, Sharib Hashmi popping up belatedly as a nosey watchman.
A home away from home appears to be a perfect solution to all their problems and people. Except dreams and the middle class seldom get alone
Enter the golden combination of jugaad and jhooth that’s turned modest endeavours into an overblown course of action in our rom-coms.
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